Unlike “The Chosen,” which spends a lot of time on the Jewish rituals that shaped Jesus’ life and that of his followers, “The Carpenter” makes no attempts to authentically portray life and practices in ancient Israel. It doesn’t even portray biblical events. The two plot lines — Oren’s journey to the Jerusalem competition and Yeshua’s serenely intoned life lessons — have seemingly nothing to do with each other.
Read More(REVIEW) Despite its flaws, “Agatha All Along” gives a refreshingly honest look at grief, relationships, the false promises of power and selfishness. In a world that churns out superhero movies with nothing to say, this is a welcome thing. In a world that tries to idealize the witch lifestyle, this show gives a far more accurate take than most forms of media have the guts to. The world of “Agatha” is one without hope in the face of death.
Read More(REVIEW) “Conclave,” the fictional thriller that outlines the Catholic process of selecting a new pope, does the audience the service of stating its intended message outright. In a controversial homily that begins the proceedings, Cardinal Thomas Lawrence declares that “certainty is the great enemy of unity.” The movie also goes on to demonstrate that lesson in a variety of ways, as conspiracy abounds and tension grows.
Read More(REVIEW) Forgiveness is widely considered one of the most difficult things to do in life — particularly when it comes to the relationship between parents and children. This is probably why so many films deal with the idea of reconciling with one’s parents. “Exhibiting Forgiveness” does a great job of honestly wrestling with the hardest questions around forgiveness.
Read MoreThe second season of “Rings of Power” is far from perfect. But the finale pays off its themes in surprisingly satisfying ways, making it far more faithful to J.R.R Tolkien than its most ardent detractors will admit. To say that “Rings of Power” is controversial would be an understatement. Since its premiere, the series has fallen afoul of the culture wars online.
Read More(REVIEW) Many of us might be acquainted with conventional narratives that combine 19th century colonialism and Christianity with cultural suppression and forced conversion in Asian territories where local inhabitants fought back intruders and crushed evangelical missions. Thailand, however, has a different history.
Read MoreMost religious mythologies reflect how various peoples experience the world. Mesopotamia had really bad weather and tribal warfare, so its people tended to portray the gods as deeply chaotic and unreliable. Meanwhile, their Egyptian neighbors had stable weather and an equally stable government. As a result, their gods were largely stable and benevolent as well.
Read More(REVIEW) “Rings of Power” tries to square the circle between the “The Lord of the Rings” wider Middle Earth treatment of religion, and it often is more confusing than anything. While the second season opener is far from perfect, it’s a giant leap forward toward the kind of show that “Lord of the Rings” fans deserve. It also honors J.R.R. Tolkein’s legacy and the way he imagined the world.
Read More(REVIEW) What “white savior” and “white guilt” movies both do is create a fantasy about Christian history that makes us comfortable. In reality, Western Christian history is far more complicated. Filmmakers like Tamahori simply replace one fantasy with another. And, ironically, miss out on a much better movie. “The Convert” has enjoyable pacing and individual performances, but its shallow treatment of its well-worn cliches will make few believers.
Read More(REVIEW) “Sing Sing” — the latest film from celebrated independent film studio A24 — tells the story of Divine G, imprisoned at a maximum security prison (Sing Sing) for a crime he didn't commit. He finds purpose by acting in a theater group alongside other incarcerated men. The film is based on the book, “The Sing Sing Follies,” which tells the true story of Divine G and the theater program he founded while incarcerated.
Read More(REVIEW) “Fleur de Lis” is a sharp-witted and endearing animated hijinks-adventure sitcom with a Christian worldview and a controversial way it’s made: using artificial intelligence. Faith-based films and TV shows are not known for their innovation. Between the running gag of faith-based knockoffs of secular content (such as “Revelation Road” being a knockoff of “Mad Max”) and otherwise playing it fairly safe with its inspirational drama formula.
Read MoreAndrew Root’s “The Church in an Age of Secular Mysticisms” (Baker Academic, 2023) includes some ponderous writing but a central concept well worth pondering. Root asks us not to think of politics and culture not as a battle of socialistic secularists versus MAGA right-wingers but as a pyramid. Two secular philosophies are on the bottom: “Exclusive Humanists” on the left and “Counter-Enlightenment” on the right.
Read More(REVIEW) There are a lot of positive — dare I say “Christian” — values in the show. So much that I’d say anyone with a beating heart will find themselves weeping as they watch them play out — even if only despite themselves. Observing the cynical, broken Hellians that Charlie Morningstar finds and helps to reform and embrace being their better selves, can’t help but bring tears to your eyes.
Read More(REVIEW) This film is not just a historical overview of the growth of Orthodox Christianity in America’s northernmost state among Native Alaskans; it also captures the fusion of Native Alaskan culture and Orthodox spirituality. The film shows what we can learn from Alaskan Orthodoxy. Becoming fully human, caring for the land and the animals are main themes discussed in this documentary. These lessons are not just important for Orthodox Christians, but for all human beings.
Read More(REVIEW) Angel Studios’ latest film “Cabrini” has haunting visuals and solid messages, but can’t seem to care about the real-life people the movie is based on beyond their status of victim or oppressor. The film follows Catholic nun Francesca Cabrini who, after witnessing poverty in the slums of New York, embarks on a daring journey to help hundreds of orphaned children.
Read More(REVIEW) While the Season 4 finale was weaker in its character payoffs than I would have liked, it still is the strongest season overall since the first. The stories are more focused, the drama more intense, the characters gelling more and the filmmaking seamlessly skillful. It’s what keeps me and the audience coming back for more.
Read More(REVIEW) “The Chosen” remains one of the strongest pieces of faith-based content being produced these days. The fourth season is, on balance, one of the strongest to date despite some flaws. Hopefully, the groundwork being laid in these middle episodes will feel worth it in the future.
Read More(REVIEW) The series deserves applause for dealing with difficult social and theological topics and for the ways it gets them right. But its agonizing repetitiveness and its social and theological missteps need to be noted as well so that we make sure we can actually solve the problems it is so eager to critique.
Read More(REVIEW) Both rightly-named football matches and their American cousins have halftimes. The kind of “football” dominant in the United States is poorly-named because in it only one person on the field, a kicker, uses his feet, and that only at specialized times. In both varieties, though, players at halftime get a short rest and coaches offer rallying words. Books that try to answer why we exist should not have halftimes. Authors should offer a consistent vision.
Read More(REVIEW) Christians have always had a love-hate relationship with Disney since I can remember. Growing up in the Christian culture of the 1990s and early 2000s, all the Christian parents I knew loved watching Disney movies with their kids — but have always had an uncomfortable relationship with some of its messaging.
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