Posts tagged film and TV
What ‘The White Lotus’ Gets Wrong About Common Buddhist Practices

(ANALYSIS) While the Thai Buddhism depicted in “The White Lotus” is not completely realistic, there are several authentic ways to engage deeply with Buddhism, ranging from offering donations to short meditation retreats to ordination as a monastic. The series depicts an American woman who is interested in joining a yearlong meditation program at a temple, even though they do not offer such programs.

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How Janis Ian’s Jewish Heritage Inspired Some Of Her Greatest Hits

(REVIEW) Janis Ian’s songs are known for their sharp social commentary, but what director Varda Bar-Kar uncovers in her new documentary “Janis Ian: Breaking Silence,” is how central Ian’s Judaism was to her activism. Ian, who was born in New Jersey, legally changed her name from Janis Fink to Janis Ian in 1964, adopting her brother Eric’s middle name as her last name.

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‘The Chosen: The Last Supper’ Season 5 Premiere Lives Up To The Pre-Easter Hype

(REVIEW) The fifth season premiere is great, and the best opener to a “The Chosen” season yet. Everything good about the series is here, and most of the weaknesses I’ve critiqued over the past four seasons are all but absent.  This latest installment of “The Chosen” is a testament to how the faith-based industry can evolve in quality and how both Christians and non-Christians will embrace it when it does.

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Living In The Age Of Crashing Hollywood Empires

(ANALYSIS) As a rule, I am not a fan of sequels — other than movies that complete a cycle of stories that exist in some existing form of literature (think “The Lord of the Rings”). I am also not a fan of live-action remakes of classic animated films.

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Animated Easter Film ‘The King of Kings’ Makes Jesus Boring (Especially For Boys)

(REVIEW) There’s a kind of soothing boredom that settles in throughout the film. Everything about it is mild. The jokes are gentle. The characters’ anger restrained. The sadness subdued. The animation is beautiful, but unremarkable. The voice actors deliver their lines without much intensity. Because the emotional highs and lows are nonexistent, the experience is more like watching a screensaver.

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‘Official’ List Of 100 ‘Must See’ Films For Catholics

(ANALYSIS) After two years of thinking and writing, Cameron DeLaFleu and Joe Wilson have posted their full, final version of “The Official List of 100 Movies Every Catholic Should See.” They never took a week off in this process. The goal was to put a spotlight on “films which truly reach for the Good, True, and Beautiful in their themes as well as in their technical artistic prowess.”

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‘The Last Supper’ Has Its Moments, But A Reminder Why Faith-Based Films Need Criticism

Over the years. as a film critic, I’ve sometimes been asked to change my reviews so that my criticism wouldn’t prevent people from seeing the movie and being impacted by its message. This question came to mind while watching the movie “The Last Supper” and reading the passion with which the filmmakers talked about making such a film. The filmmakers clearly had a lot of love for making it, but it is not a good film.

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Disney’s ‘Daredevil: Born Again’ Series Premiere Waters Down Hero’s Faith And Themes

(REVIEW) “Daredevil: Born Again” picks up years after the original show ended and a year after blind lawyer Matt Murdock stopped his activities as the masked vigilante "Daredevil" due to a tragic incident. Murdock continues his fight for justice as a lawyer while former crime boss Wilson Fisk is elected mayor of New York, putting the pair on a collision course. Some of the magic is definitely back.

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It Was A Historic Jewish Night At The Oscars: Why Are So Many Outraged?

The 97th Academy Awards was a banner night for Jews. Adrien Brody and Mikey Madison won the Oscars for best actor and best actress, the first time in decades that Jewish actors have swept that category; best supporting actor went to the co-star of a film about Jewish cousins who tour Majdanek; and “The Brutalist,” a film about a Holocaust survivor’s experience of antisemitism in America, won for cinematography and score.

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What ‘Conclave’ Didn’t Show You: Inside The Secret Process Of Electing A Pope

(EXPLAINER) You’ve seen the movie “Conclave” — but what does a real one look like? A papal conclave is one of the most unique and secretive processes in the world, bringing together cardinals who gather under intense pressure to choose a new pope. Unlike the film, the tradition is meant to ensure the election is conducted in an atmosphere of prayer and reflection.

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Why Amazon Prime’s ‘House of David’ Series May Be Even Better Than ‘The Chosen’

(REVIEW) The show impressively manages the difficult task of being a sword-and-sandals adventure fantasy that balances the needs of a faith-based and action-adventure audience. The story of David and Israel’s relationship with God is central, and the story creates a world that feels grounded, while still existing among giants and magic as relayed in the Hebrew Bible. The action is good while keeping itself PG-13, and the story is exciting while keeping it faithful to the Biblical themes.

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Stephen King’s Adaptation Of ‘The Monkey’ Serves Up An Existentialist Anti-Faith Film

(REVIEW) When the characters discover the monkey can kill people, they start trying to figure out how it works, to discover its rules so they can play the game and win. But the monkey doesn’t have rules. The characters who cause the suffering in this movie are the ones who try to impose order and meaning on these meaningless death. And it’s when characters accept death and its pointless randomness that the carnage stops and reconciliation occurs. 

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‘The Unbreakable Boy’ Reveals Itself A Beautiful Film Weighed Down By Weak Genre Tropes

(REVIEW) The film’s best elements still chaff under faith-based genre tropes. The genre that Kingdom Story Company has conquered so successfully is built on an audience that highly prizes good messages and family friendliness. Both of these are good things. But that has often rewarded tropes that work against the genre being both truthful or beautiful. These have often become more noticeable as the quality of the movies have otherwise improved.

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‘No Address’ Film To Share Profits With Churches Fighting Homelessness

“No Address” will give half of its net profits — from the film, a companion documentary “Americans With No Address’” already streaming on several platforms, the novel “No Address” including an audiobook, a study guide and a soundtrack — to churches involved in helping the homeless who register on the film’s website. Grammy Award-winning singer and actress Ashanti joins the cast that includes Emmy Award winner Ty Pennington.

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‘Brave The Dark’ A Film That Puts The Spotlight On America’s Growing Boy Crisis

(REVIEW) “Brave the Dark” is easily the best movie the faith-based film industry has released about the struggles of young men. It’s by far the best Angel Studios movie to date. There’s a major gender shift happening in American Christianity. Church pews have largely been filled by women, even as the pulpits were dominated by men. Women are abandoning church and men are starting to flock to it.

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‘Prevail Without Selling Your Soul’: Why ‘The Brutalist’ Resonated So Deeply With Me

(OPINION) It is seldom that one enters a film that resonates with one own’s life. For me, “The Brutalist” is such a film. It combines the themes of the Holocaust, Israel, immigration, capitalism, architecture, and the struggles to make sense of it all. The film depicts a successful Bauhaus-trained Hungarian architect who reaches the shores of America after his incarceration in concentration camps.

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‘Squid Game’ Season 2 Highlights The Popularity Of Korean Shamanism

The second season of the global streaming sensation “Squid Game” introduced viewers to several new characters. One of the most intriguing has been Player 044 due to her strong religious beliefs. Player 044 is a shaman whose role was to curse others and deliver prophecies as the players moved from one deadly game to another.

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Why ‘Nosferatu’ Represents A Hollow Love Letter To Pre-Modern Enchantment

“Nosferatu” shares many of the strengths of the rest of Robert Eggers' work. The filmmaking craft on display is undeniable. The camera lingers on the screen away from showing all of Nosferatu almost as if the camera itself is scared of him. The production design completely transports you into the world of the 18th century. Nonetheless, this is a film that has issues.

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Are Faith-Based Shows Getting Better ... Or Not?

(ANALYSIS) Over the past quarter century of so, I have spent a large chunk of my time trying to get Christian liberal arts colleges to ponder this question: Why do they have drama departments and not programs to make short films and pilots for television?

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