Unlike “The Chosen,” which spends a lot of time on the Jewish rituals that shaped Jesus’ life and that of his followers, “The Carpenter” makes no attempts to authentically portray life and practices in ancient Israel. It doesn’t even portray biblical events. The two plot lines — Oren’s journey to the Jerusalem competition and Yeshua’s serenely intoned life lessons — have seemingly nothing to do with each other.
Read More(REVIEW) Christmas may not be a Jewish holiday and “Hot Frosty” is entirely devoid of even the slightest hint of Hanukkah happening in the background. What I’m saying is this: Jews are way better at holiday magic. And since Christians get so many holiday movies, we are the ones who deserve the hot snowman golem movie.
Read MoreThe Israel-Hamas war has dominated public debate, influenced elections and seeped into every aspect of life for a year. And people have learned to succinctly display their position through various visual cues, whether on T-shirts or placards held at marches. Not all of these are new. The keffiyeh and Palestinian flag have long been mainstays in protests, as have the Star of David and Israel’s colors. Over the past year, however, new symbols have also emerged to show solidarity.
Read MoreLev Kreitman has seen plenty of trauma. He was at the Nova festival on Oct. 7, when it was attacked by Hamas. Then, as a reserve soldier, he was sent into Gaza. On Tuesday, when two gunmen opened fire in Tel Aviv near his home, Kreitman leapt into action, shooting one of them. At least seven people were killed in the attack, which took place at a light rail station in Jaffa, in the south of the city.
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(REVIEW) Adam Sandler has gotten better at guitar since “Chanukah Song.” In his new Netflix comedy special, "Love You," the comedian plays a long, honestly impressive, flamenco riff before bursting into a song in which he complains about mowing the lawn, and also whinnies like a horse. Guitar skill, it seems, is the only thing that’s changed about Sandler.
Read More(ANALYSIS) When the second installment in the blockbuster “Dune” franchise came out, it was hard not to see it as a not-very-subtle metaphor for the Israel-Hamas war. It was starnge to watch scenes of guerilla warriors in headscarves when I saw the same images on the news. Lately, people have been finding those same parallels in other movies or TV series about conflict.
Read MoreGidi Dar did not set out to be a prophet. When he began work on his film Legend of Destruction, in 2016, he was simply drawn to a collection of Talmudic stories about Jewish zealots revolting against their Roman rulers in the first century, a rebellion that triggered the destruction of the Temple. Then, during the seven years the film spent in production, things began to shift in Israeli society.
Read MoreWhat if, when you Googled a question about Holocaust history, instead of being taken to, say, Wikipedia or a news article, you were just given a few bullet points written by artificial intelligence? This is the sort of thing a new UNESCO report, “AI and the Holocaust: Rewriting History?” warns about.
Read MoreArt — paintings, music, books, movies — has become part of the culture war swirling around Israel and Gaza that has been gaining steam steadily since Hamas’ attack on Oct. 7 and Israel’s subsequent response. Concerts have been canceled and art has been damaged by protesters, all part of a battle over the political meaning and value of art.
Read More(OPINION) Everyone is mad at Taylor Swift. I mean, everyone is always mad at Taylor Swift. Over football, her boyfriends, her music. This week, it’s over her failure to call for a ceasefire during the Grammys. Perhaps Swift’s silence on the destruction in Gaza would not have made waves had Annie Lennox not used her moment on the Grammys stage to raise her fist and proclaim “artists for a ceasefire.”
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