Two gospel singing groups, the Hardeman Boys and Cornerstone Quartet, crossed paths at a youth rally in Bremen, Georgia, in 1989. Three decades later, they shared a stage again. This time they performed — to a more gray-haired audience — a medley of gospel, country and oldies music to raise money for Project Rescue, an addiction recovery ministry in Priceville, Alabama, associated with Churches of Christ.
Read More(ANALYSIS) James Mangold’s film “A Complete Unknown,” nominated for eight Oscars, captures the elusive, enigmatic quality of Bob Dylan in the early 1960s: The years he emerged as a major musical and cultural phenomenon. A scant few years after he came to New York from Minnesota, and legally changed his name from Robert Allen Zimmerman, Dylan transformed American music. Especially “unknown” and baffling is Dylan’s religious and spiritual identity.
Read More(ANALYSIS) One of the things I love about the Christmas season is the music. The ancient music is, of course, powerful. Time-tested hymns and carols still satisfy. But I am also impressed with a current crop of creators using their gifts to “make all things new.” An artist who bears special consideration in this conversation is Andrew Peterson.
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